Tag Archives: installation

Glasgow International Festival of Visual Art 2012

The beginning of my Internship coincided with the start of Glasgow’s contemporary art festival, so I spent my first day visiting nearby exhibitions around Trongate and the Merchant City. There was a staff briefing at the gallery, whose involvement in the festival consisted of an enormous sculptural installation by Karla Black. The work was made with seventeen tonnes of sawdust, and was a feat of logistical acrobatics to install. Who knew sawdust was so heavy? In a listed building, with the Glasgow underground system already running close to the foundations, and a gallery space which had public rooms below it, there was a real risk that the sculpture would cause the floor to collapse. The original design of the work was even heavier…

Karla Black GI 2012

Karla Black detail

 

The sawdust piece is titled ‘Empty Now‘, and the overhanging cellophane ‘Will Attach‘.

Tagged , , , , , , , ,

‘We Are The Imagination of Ourselves’ – Bill Hicks

According to Netflix, I have a predilection for ‘mind-bending’ films and considering my love of all things David Lynch, I would say they are probably right. Which is possibly why I greeted Melanie Gilligan’s video series Popular Unrest, installed at Stills as part of two-centred exhibition ‘Economy’, with a warm sense of recognition.

‘Economy’ at Stills, Edinburgh

The characters in Gilligan’s series are brought together by the realisation of the binary relationship that isolated individuals have with each other in contemporary society. In an increasingly digital world everything from our economic transactions to our social ones are done electronically. The nature of mankind, life, and the soul boils down to numbers, like a code. Hence the real or imagined but theoretically possible threat of technology developing consciousness. In this way the quintessential question of the nature of reality can be seen in terms of digital economy.

The Role of the Image

If this sounds heavy or particularly abstract, it should serve to illustrate the concerns of the curators of ‘Economy’.This is not just an art exhibition, but has political and philosophical overarching themes which not only analyse, visually, the more obscure definitions of the concept of ‘economy’ but also, using the opposing functions of pathos versus tragedy, examine how a visual image operates within this concept.

Survey Says…?

Unfortunately, an iPhone camera does not do justice to AV work such as Gilligan’s. The show includes photography in addition to video pieces, including Andreas Gursky’s memorable image of the Chicago Stock exchange (see below). While this particular example may be an obvious link to the world of commerce, works such as Chinafrica by Paolo Woods subvert our traditionally eurocentric interpretation of colonialism. The content of ‘Economy’ is too broad for a singular blog post: this is a fabulous exhibition, I cannot praise it enough. It is an intelligent, deep, and wide ranging exploration of a loaded concept, not easily digested in one sitting. For me, a return visit is a necessity after an amount of time to ‘debrief’ and have a good think! I think it is one of those occasions where an exhibition possibly raises more questions than it attempts to offer explanation for, which is testament to the thorough and inspired research behind a complex and impassioned subject matter.

20130215-105955.jpg

Tagged , , , , , , , , , , , , ,