Category Archives: Internship

Side note – Karla Black

Now would be as good a time as any to break away from recording my internship, as in my last post I introduced the work of Karla Black at GI 2012. Karla  represented Scotland at the 54th Venice Biennale and was a finalist for the Turner Prize in 2011, the year that Martin Boyce won. Martin was actually at an opening at the gallery while I was a volunteer tour guide, unfortunately I don’t have pictures but maybe someone does!

Karla’s sculptural installations are known for their light pastel colour schemes and ephemeral quality, and for the artists’ use of everyday household materials. This is a common sub-genre of conceptual and neo-conceptual art in itself, and a feature of a lot of Glasgow artists (hence the title of the latest sculpture show at GoMA, ‘Everyday‘. But more of that later.) One particular talking point about Karla in particular, is her adoption of what could be termed ‘feminine care’ products such as cosmetics, in her work. ‘Don’t Adapt, Detach’ is decorated with glitter eyeliner in place of paint, for example, and those looking closely at ‘Empty Now’ would have seen bronzing pearls casually strewn on the sawdust.

Karla Black GI 2012

The ramifications of such use of materials deserves in-depth discussion, and is a topic I will write about in a later post. The artists’ incorporation of stereotypical ‘feminine’ products raises important questions of meaning, intent, and interpretation. The habit of society to read gender into art, as in so many things, will form part of my Masters research, and the meaning we read into materials is something I am very interested in. Karla Black’s own reaction to such categorization of her work was one of the motivating factors for me in my research, and has posed many as yet unanswered questions.

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Glasgow International Festival of Visual Art 2012

The beginning of my Internship coincided with the start of Glasgow’s contemporary art festival, so I spent my first day visiting nearby exhibitions around Trongate and the Merchant City. There was a staff briefing at the gallery, whose involvement in the festival consisted of an enormous sculptural installation by Karla Black. The work was made with seventeen tonnes of sawdust, and was a feat of logistical acrobatics to install. Who knew sawdust was so heavy? In a listed building, with the Glasgow underground system already running close to the foundations, and a gallery space which had public rooms below it, there was a real risk that the sculpture would cause the floor to collapse. The original design of the work was even heavier…

Karla Black GI 2012

Karla Black detail

 

The sawdust piece is titled ‘Empty Now‘, and the overhanging cellophane ‘Will Attach‘.

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Some reflections on my time as an Intern

I’ve come to the end of my twelve-month internship as a Curatorial Assistant. I actually can’t believe that a year has passed since I was finishing my finals and starting in the gallery, it has passed so quickly. My internship served as a crash course in contemporary art, and dropped me in to the city’s current art scene. If that sounds a little dramatic, you have to understand that there is a limit to how ‘contemporary’ your classes get when you study Art History. With my honours focused primarily on art of the twentieth-century, I didn’t really get any more recent than the late eighties. After all the (amazing!) stuff that happened in the sixties and seventies, study materials sort of trailed off…

Graduation Day

Which is precisely why such a different approach is needed when you are dealing with contemporary art. Sure, the theory and the historical impetus still stand, and occupy not just an important place but also a really useful one when it comes to critiquing current works. There is not, however, this sense of retrospective reinterpretation and categorisation that dictates how ‘historical’ art of times past should be viewed and understood. In my case, I was mainly viewing art by emerging and mid-career level artists, who are still in a developmental phase, which keeps things fresh and interesting! Even more importantly, if you come from an Art History background, there is very little literature about these artists! The odd review if you’re lucky, sometimes. Academic essays in peer-reviewed journals are the exception, and not the norm, which means I had to change how I approached researching these artists.

To be continued…

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